Easy Arrangements for the Intermediate PIanist

Available on Gumroad e-commerce platform: https://sonatasecrets.gumroad.com/

Over the course of making analysis videos of the great classical canon, I realized that a part of my audience are in the situation of having more love for the music than they have the technique required to play them. They’re not professional musicians, whether established or aspiring, but keen amateurs, in the positive sense of the word. They have other professions and callings in life than being a concert pianist. They don’t have to practice several hours daily for the demands of musician work, but practice as much they want to because it’s fun and stimulating. It’s a hobby, but a hobby they are passionately in love with.

It's nothing wrong with aiming for great but difficult pieces in order to develop one’s technique further, but it can be discouraging if they are too advanced for one's current abilities. The demands of playing classical solo piano repertoire are brutal. No other instrument than keyboard requires of the musician to produce several voices simultaneously but independent of each other. And all notes still need to be carefully produced with exactly the right dynamic, articulation and expression; formed together with pedalling, phrasing and musical development; and taking into account the acoustics and the instrument, and so on. It puts immense pressure on the brain signals out to the fingers, hands, arms and feet to move with extreme precision and small margins. Oh, and by the way, thousands of notes need to be memorized because you don’t even have time to look at the score when the hands move so quickly, and it’s anyway just a hassle turning all the pages.

Looking at all this, I wanted to create a solution that would make the great classical pieces more accessible and enjoyable for the dedicated amateur pianist. The result is Simple Solutions Edition, a collection of easy arrangements specifically tailored to the intermediate pianist. They still require some work to get your hands around, because they still require both hands to play independently, but the scope of difficulty is thoughtfully reduced. I have chosen a number of pieces that presents themselves as suitable for such an arrangement, i.e. mostly pieces in a slower tempo as their main expressive idea, grouped into three volumes with slightly different profiles.

Simple Solutions Edition – where the spirit of the classical canon meets the heart of the amateur pianist.


There are a total of 32 arrangements of pieces spread out over three volumes. All arrangements are available to purchase on Gumroad individually for $5 / $3.50, as well as part of a Volume for $19 / $23.

Volume 1 – For the Elementary Pianist (~ Grade 3)

Volume 2 – For the Intermediate Pianist (~ Grade 5)

Volume 3 – Nights and Dreams (Intermediate, ~ Grade 5)

The approximated grading is on a scale of 1 to 8 where 1 is suitable for a beginner and 8 for advanced/conservatory level and beyond. However, this is only a reference point and no official grading, and pieces may be experienced subjectively as easier or harder.

Beethoven
Fur Elise / Vol. 1 / Grade 3+
Moonlight Sonata Mvt. 1 / Vol. 1 / Grade 3
Pathétique Sonata Mvt. 2 / Vol. 2 / Grade 4

Brahms
Lullaby / Vol. 3 / Grade 2+
Intermezzo in Eb Op. 117 no. 1 / Vol. 3 / Grade 5-
Intermezzo in A Op. 118 no. 2 / Vol. 2 / Grade 5

Chopin
Nocturne in Bbm Op. 9 no. 1 / Vol. 3 / Grade 5
Nocturne in Eb Op. 9 no. 2 / Vol. 1 & 2 / Grade 3+ & 5
Nocturne in C#m Op. Posth / Vol. 2 / Grade 5
Nocturne in Fm Op. 55 no. 1 / Vol. 3 / Grade 5
Funeral march / Vol. 1 / Grade 3
Tristesse Etude / Vol. 1 / Grade 2
Raindrop Prelude / Vol. 2 / Grade 5
Fantaisie-Impromptu Cantabile / Vol. 2 / Grade 4+

Debussy
Clair de Lune / Vol. 2 / Grade 5
Girl with Flaxen Hair / Vol. 2 / Grade 5
Reverie / Vol. 3 / Grade 5
Arabesque no. 1 / Vol. 3 / Grade 5+

Liszt
Liebestraum no. 3 / Vol. 3 / Grade 5
Consolation no. 3 / Vol. 3 / Grade 5

Rachmaninoff
Elegie in Ebm Op. 3 no. 1 / Vol. 3 / Grade 5
Prelude in C#m Op. 3 no. 2 / Vol. 3 / Grade 6-

Ravel
Pavane for a Dead Princess / Vol. 1 / Grade 3

Satie
Gnossienne no. 1 / Vol. 1 / Grade 2
Gymnopedies no. 1, 2 & 3 / Vol. 1 / Grade 3

Schubert
Impromptu no. 3 / Vol. 2 / Grade 5

Schumann
Träumeri - Kinderszenen / Vol. 1 & 3 / Grade 3
Child Falling Asleep - Kinderszenen / Vol. 3 / Grade 3

Scriabin
Etude Op. 2 no. 1 / Vol. 2 / Grade 5


“I'd like to express my deep gratitude for this wonderful work along with 2nd mvt. of Beethoven's Pathetique (also others). I downloaded (purchased^^) and memorized them because I love them so much~~
...Many thanks again for your amazing works because it really encourages beginners like me to keep going~💕”

“...I am so enthused to learn the beautiful pieces you have here. My goal was to be a competent pianist by age 75, thanks to you I will get there!! I hope you realise just what a debt we all owe you. Thank you!!!”


Preface

This is for everyone who loves the great piano repertoire but haven’t (yet) developed the skill required to master it. After all, Beethoven, Chopin, and Debussy wrote music for professional musicians, and it takes many years of studies to achieve a level sufficient to play their pieces as written. However, the musical material can be separated into melody, harmony, rhythms, and textures, and in some cases simplified while preserving the core ideas. This is what I have done in these arrangements of some of the most beloved piano melodies by the great composers. In this easier setting, you will instead have enough time on your hands (literally!) to bring the music to life and care about those aspect that often otherwise come second: phrasing, articulation, dynamics, and balance. This will help you develop your over-all musicality, which will be of great value in all other pieces as well.

I believe you have the right to enjoy playing this great music with your own hands, even when the original writing is beyond your present level or would require too much time and effort. In the end, if you feel ready for a challenge and want to go forward with proper piano studies that requires years of practice – the originals are always there. In the meantime, these arrangements will bring you close to the same enjoyment as the full versions, because all musical ideas are carefully conserved. They are just a little bit easier.

Henrik Kilhamn